What Is The Rule Of Soccer Sock Band??
When Macclesfield Town arrived at Abbey Stadium in October 2019 to play Cambridge United, his kitman suddenly realized that the bright yellow goalkeeper Owen Evans wearing too much resembled the local team’s orange shirts. Without a packaged alternative, Evans had to wear a Cambridge white jersey from an earlier season, with the badge attached. Before fashion changed in the 1990s, Grimsby Town wearers traditionally wore a red jersey instead of the conventional green kit, as this color was considered unfortunate within the local fishing community, which formed the club’s fan base. By the end of the decade, shirts were cut more generously when new light fabrics became widely available. The shirts are made with short, long sleeves and players could choose which one to wear . Improvements in the dye sublimation process allowed complex designs to be printed on the fabric itself, allowing manufacturers to counter the fast-growing market for cheap counterfeit kits that started to appear.
The football kit has evolved significantly from the early days of the sport, when players wore thick cotton shirts, panties and stiff, heavy leather boots. In the 20th century, boots became lighter and softer, shorts were worn over a shorter length, and advances in clothing production and printing made shirts made of lighter synthetic fibers with increasingly colorful and complex designs. With the increase in ads in the 20th century, the sponsors’ logos began to appear on the shirts and the replica strips were made available to fans to buy, generating significant income for the clubs. A story that is no different, although perhaps even stranger, is why Juventus plays in black and white kits.
Crystal Palace, a club that was never afraid to experiment with, introduced a beautiful white stripe in 1971 with wide burgundy and light blue panels. Birmingham City presented its beloved “penguin strip” that same year, while Carlisle made his First Class debut in 1974 in a similar outfit, but with a red trim on either side of the white panel. Shirts for the collar appeared and became very popular in England, but several collar designs were visible.
When the game started to spread to Europe and beyond, the clubs took on kits similar to those in the UK, and in some cases chose colors directly inspired by British clubs. In 1903, the Juventus of Italy adopted a black and white stripe inspired by Notts County. Two years later, the Independent Athletic Club of Argentina took on red shirts after watching Nottingham Forest. Blackpool joined as a club in 1887 and today they are known as mandarins for their orange kit, but it only started in 1923.
The FC Dynamo Moscow team that toured Western Europe in 1945 made almost as much commentary for the players’ long wide shorts as for the quality of their football. With the advent of international competitions such as the European Cup, the style of Southern Europe spread to the rest of the continent and by the end of the decade, the heavy shirts and boots of the pre-war years were completely out of order . In the 1960s, there was little innovation in designing kits and clubs, generally opting for simple color schemes that looked good under newly adopted reflectors. The designs of the late sixties and early seventies are highly appreciated by football fans. Referees, assistant referees and official rooms wear kits similar to those of players; Until the 1950s, it was more common for a referee to wear a jacket than a T-shirt.
Eastern European goalkeepers, such as Lev Yashin of the Soviet Union and Gyula Grosics of Hungary, favored a completely black intimidating comic. Squad numbers were originally introduced as a way to identify players more than anything, and while goalkeepers traditionally wear the number one shirt, there is no law in the game that a field player cannot use that song. For example, Tottenham Hotspur’s former favorite, Ossie Ardiles, wore Argentina’s number one jersey at the 1982 World Cup Final, while midfielder Norberto Alonso used the same song when they raised the cup in 1978. Manufacturers also pushed the boundaries in their designs for “origin” kits, while generally remaining on traditional color schemes. Abstract patterns, spots, scratch marks, barcode stripes and wavy stripes appeared. Influence, a company owned by the owners of Birmingham City, has released a series of outrageous designs, including the infamous “paint box strip” used by Birmingham in 1992, with yellow, navy blue and green splashes on blue shirts and shorts.
Bill Lloyd was ordered to change his shirt for a league game in the 1950s after the referee complained that it was not a regulating color. The former Millwall Football Club goalkeeper had reportedly decided to wear something more like something his grandmother had woven instead of a traditional goalkeeper shirt. While Admiral Umbro classic football kits and Bukta challenged contracts with leading teams, a new wave of sportswear manufacturers took the opportunity to chase clubs in the lower leagues. One of the first was Hobott, who redesigned the Sheffield United kit after the Blades fell into the Third Division and then collected contracts with much lower clubs in England.